A Place Beyond Belief is a 2012 work by Nathan Coley which you can view on his website here. It’s described as illuminated text on scaffolding, measuring 6m x 7m x 3m.
We are asked some initial questions about it:
What’s your first response to this piece?
At first look, I thought it was quite cool. The lights look like those on an old American theatre, or a bit like the lights around those Hollywood dressing table mirrors that I’ve always loved. The text coupled with the pretty lights makes it look like it could be the entrance to … Read the rest
We are asked how we would define this piece in terms of media, and told to make notes on the different layers of existence, the forms it has been displayed in, how it’s a genuinely site specific piece (unlike Longlayer from Project 2), and on Vatnajökull’s relationship to place, as well as Paterson’s use of text.
Firstly, I would categorise the original piece as mixed media. It is a sound installation, but there is also the neon phone number displayed … Read the rest
This first exercise asks us to read the opening essay in Place (Dean and Millar 2005, pp. 11-26). We are told to try and get an idea of what the authors are saying, to reflect on how we found the exercise, whether we agree with what the authors are saying, and whether the piece has expanded our understanding of what the word ‘place’ can signify.
Firstly, I found this exercise difficult for various reasons. At a basic level, I have never read such a long piece of writing relating to art in the way this one does, and the vocabulary … Read the rest
This case study looks at a piece by Pogues member Jem Finer. It’s really a musical work, but could also be considered an installation and a performace piece. It started playing at midnight on the 31st December 1999 and will play for a thousand years. The ‘song’ is made up of 6 different versions of a 20 minute, 20 second score written for Tibetan singing bowls. One of the pieces is the original, and the others are transpositions. One is an octave below, one 7 semitones below, one 5 semitones below, one 5 semitone above and one 7 semitones above. … Read the rest
The first thing that struck me was the amount of words that I normally know the meaning of, but had to actually look up to see how they were being used in this context. Here’s a list, along with some other definitions that were new to me:
Arbitrary: Founded on or subject to personal whims, prejudices, etc.
Exercise 1 asks us to write down a few words about our first response to Marcel Duchamp’s piece Fountain, shown in the photograph.
Looking at the original work, right, I would say it does not surprise me that this is presented as a piece of art, but, at the same time, it does not appeal to me and I don’t understand how anybody could see this is art. My first impression, without looking up any further information about the piece, would be that it is representative of something important … Read the rest
This exercise in the introductory section of the course asks us to try to find an image in the Bridgeman Education Library by searching ‘time contemporary’.
There were many results, but the work came up on the first page and can be seen here.
The full title of the piece is ‘Space, Time, Motion, Green, 2010’ and it’s a mixed media work by spanish artist Izabella Godlewska de Aranda. The description notes that it is an homage to Mark Rothko, who was a Russion-American abstract artist whose signature style could be described as ‘fields of colour’ and some of … Read the rest